Altoist (and soprano) the Dewars, Cahl and I caught a couple years ago in Kansas City with Joe Chambers opens with a high register piece that makes me think of Branford Marsalis, Greg Osby (who wrote the brief liner notes) and Jackie McLean.
That's by way of saying what he does here fits the title track. It's thoughtful, intricate music generally paced as neither ballad nor burner, more in the nature of a steadily flowing musical idea stream. Probably overstating a bit, there are variations in the pace, just not in typical ways. Animated Concept of Being may be slower, but it strikes me as a lament rather than being ballady. I don't hear any I've Got Rhythm changes in Release, a faster piece, either.
I think I'd like to hear him reach down into the horn more, but this is a good modern session skirting the border of, and sometimes sticking a toe over, the avant-garde. The instrumentation, sax, vibes, guitar, bass and drums gives it a rockish pulse that contributes to the not-your-father's jazz feeling. Nice Mike Pinto vibes solo on Free the Blues and on In the Wall. I like guitarist Mike Moreno as well. Kind of thing that will make me scoff at the next jazz obituary I read.