Gebhard Ullmann, Die Blaue Nixe, Between the Lines

Might be the quietest avante-garde, heavily improvised jazz album I own; certainly not your father's Pharoah Sanders. I notice the bass, Chris Dahlgren, and often barely notice the piano, Art Lande, in a trio session with Ullmann on saxes and bass clarinet as the central player. In spots he makes me think of Lester Young if Pres had been around, and down with, the post-Ornette stuff of the '60s, or maybe of Marzette Watts by way of Ike Quebec. Now that's an interesting mix. Will need more listens before I decide how I really feel about it, and that's a good thing.