Saturday, March 29, 2008
Never got to see Stitt and Ammons (or Stitt and Rollins, Rollins and Coltrane, Rollins and Hawkins for that matter, not even Zoot and Al) but I have to think Joshua Redman and Branford Marsalis locking horns, so to speak, was something like it. I'd have paid $25 for a recording of their interchanges on Blues Up and Down and Body and Soul had they been selling CDs in the lobby after (musicians in this digital age need to start doing that). Boss tenors (and sopranos, too, which they whipped out on Redman's Mantra #5). Will go down as one of my best memories from a jazz show.