Cannonball Adderley, Know What I Mean?, Riverside

Julian does not make his alto sound like a tenor and I have no problem with that. His high tone is lovely (and very Benny Carter-like in snatches) and I'd like to know how he got all the speed and dexterity in his fingering. This might be my favorite Cannonball Adderley CD. Was he inspired or challenged by playing with Evans, or just really good at it since they'd played together for years when this date came along, notably in the creation maelstrom that was working for Miles Davis. Percy Heath and Connie Kay, in a break from the Modern Jazz Quartet, can back anybody well. They're perfect compliments here.