A one-song performance from the University of Chicago in 1972 that lasts 70-plus minutes and does about everything I can think of a quintet doing with sound exploration in a jazz context heavy on the African flavor. (Don Moye's percussion is almost dominant.)
I don't know of anybody who gets more out of a penny whistle. I realize not everyone likes this stuff. To me, it is the sound of joy and ingenious.
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