Friday, December 04, 2009

Amália Rodrigues, Lisboa a Noite, Blue Moon


We're guessing, because the literature with the CD gives us no clue, but the guess is that this is the Rainha do Fado (Queen of Fado) in the '50s, at the height of her career with the traditional fado, simple accompaniment of Portuguese guitar, classic guitar and bass, thus making her voice, and what a voice, primary. The version of Barco Negro (Black Ship) might be the definitive version of a song that gets to the very essence of fado's seafaring roots (and the longing for the seafarers gone and of the seafarers for their country, home, families and lovers left behind them). She navigates Coimbra, another classic fado song, in Portuguese and then renders it in English. It is fado either way, could it not be? On Nao Quero Amar she works that incredible voice every which way but loose and I am, and everyone should be, impressed, followed by almost overwhelmed on Petenera Portuguesa. In my experience, only Ella is capable of such vocal manipulation. An aside, this is my favorite picture of her. Look at her face, her eyes and mouth, they say fado.

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