Something to be said for Barco Negro (black boat)

Traditional fado tune, I now have six versions of it in my iTunes library (not as many as Round Midnight, 42, but there's time, I hope). For Ana Vinagre it's a lament, for Celeste Rodrigues kind of a fado march. For Cristina Nóbrega, the preferred approach is with a sense of irony. For Mariza, twice (Concerto Em Lisboa and Fado Em Mim), it begins with a drum chant over which she imposes the considerable range of her captivating voice, which spans Streisand to Sills in my mind at the moment (and undoubtedly more). I'm partial to the Fado Em Mim version. Névoa races through it with special effects, and not to bad effect.